- Elaine’s Blog
I showed some of James Lethbridge’s stunning glass stars in On Reflection, an exhibition I staged at Westcroft Gallery in Kingsand in 2011, and knew that they would be perfect for the effect I was trying to create; I was thrilled when James – who is now based in Belgium – was happy to take part in the exhibition. They are stunning pieces and look wonderful in any setting: identical ‘spikes’ of glass adhered to a central ball, they give the impression they are floating above rather than resting on the surface.
It’s been a busy first week in the gallery and it’s been so lovely to see so many friends again – especially those who are down here on holiday and keep up to date with news from The Byre via this newsletter and my tweets. So thank you to all of you who’ve been in to visit, I hope to see the rest of you soon – for the Bank Holiday weekend, as well as Saturday and Sunday, we’ll be open on Monday from 11 – 5.
I’m delighted to report that Telling Tales is now open. I’m really pleased with the way it has all come together – and am so delighted with all the new work on display.
There is such an abundance of beautiful pieces to talk about that I was rather overwhelmed at the thought of deciding which maker I should share with you first. But I decided that the honour had to go to Falmouth based ceramicist Remon Jephcott whose work I’ve shown in all my Crafting Spaces and The Byre exhibitions. Remon’s highly original and inventive work – her delicate tea cup and saucers with ‘mould’ in them, her elegant tea plates with discreet flies, and her beautiful brooches have always been hugely popular and much commented on. A number of visitors to my exhibitions have thought that Remon has taken old pieces of china and reworked them but each ceramic piece is made from scratch with the detail built up over numerous firings to create her signature look.
I’m thrilled with the new pieces Remon has created especially for Telling Tales: there are five stunning wall hung plates which each feature her typical decoration of birds, flowers and insects and look amazing as a set or individually; and as well as her more usual cup and saucer and slightly rotten fruit, Remon has created a “Turkish Delight” tea plate which feels suitably indulgent in my Eastern themed setting.
It’s now less than a week until Telling Tales, The Byre’s summer exhibition, opens on 14th August. These final few days of preparation are always the most exciting – and the most stressful. There is huge thrill when a package of new craft arrives and a sense of awe at the incredible talent of the makers who produce such stunning pieces. But this is also the moment when I see if my plans really work; if the styling and curatorial ideas I’ve had in my head for the past few months finally come together.
Of course it is also great fun and the aspect I love most about my job is bringing all the pieces of craft together, styling and putting them in groupings which enhance and flatter the individual pieces. Seeing new work for the first time can also inspire a new approach to curating. I had seen Claire Palastanga’s stunning spiky porcelain work in a smaller form and loved them, but I was totally blown away by her larger piece Wave which resembles the shell of an exotic sea creature, delicate and fragile looking it is surprisingly solid and quite simply stunning; it deserves a prominent position in the show, so a rethink on styling is required!
Claire is just one of the makers whose work I’m showing at The Byre for the first time and I’ll share more about the other new makers and their craft in coming weeks. I’m also thrilled by new work from makers who have previously shown at The Byre: Charlotte Sale and Ruth Shelley have each produced some gorgeous, vibrant new glass work; ceramicists Paul Cardew and Pauline Lee have both built on the wonderful work they each showed in the last exhibition with fantastic new collections, and Remon Jephcott has made a series of striking wall hung plates inspired by the idea of telling and sharing stories.
After a few weeks away from the gallery, I’m now starting work in earnest on Telling Tales, The Byre’s summer exhibition. I had planned for it to open on 26th July, but the best laid plans…
Sadly my parents, who live in Scotland, have serious health issues at the moment so I’m spending quite a lot of time north of the border. It makes sense to give myself a bit more time to get the exhibition ready so I’ve decided to postpone for a couple of weeks and open on 16th August. More news about all the wonderful pieces of contemporary craft I’ll be showing very soon…
Hello and welcome to the new website, please visit here for news and updates about the current and forthcoming exhibitions and makers who will be taking part.
Quite a few visitors to the gallery have asked me about its name, what it means and why I chose it. The Byre is a Scottish word (and Old English I’ve recently discovered) for cowshed or barn. And as the building that stood on the exact footprint of the gallery was an old cow shed it seemed very appropriate. The Byre is also a – currently sadly closed – theatre in St Andrews, in Scotland where I went to school. A professional rep theatre for many years, for one week every January my school’s drama group – the Quad Theatre – would take over the theatre to stage a new production. I was lucky enough to take part in some fantastic plays there including The Winter’s Tale and The Recruiting Officer and have many happy memories of the theatre; it seemed appropriate to reflect those in my gallery.